Soda and Pop Rocks

Pop Rocks is a carbonated candy with ingredients including sugar, lactose (milk sugar), corn syrup, and flavoring. It differs from typical hard candy in that it creates a fizzy reaction when it dissolves in one’s mouth.

Pop Rocks Urban Legend:
The legend is simple. If you eat Pop Rocks with soda, then you explode. Coke is the favorite legend, but others say milk, root beer, Pepsi, Dr. Pepper, Zima or Mountain Dew.

Urban Legend:  FALSE

Mikey from the Life cereal commercials hates everything, except Pop Rocks. He gorges himself with the candy (He’s rich from doing the commercials and spends all his money on Pop Rocks) and washes it down with a soda. The chemical reaction in his stomach causes an eruption and he explodes.

Mikey Likes It!

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Background and history

The concept was patented by General Foods research chemist William A. Mitchell in 1957. The candy was first offered to the public in 1975. In 1983, General Foods withdrew the product owing to its lack of success in the marketplace and to its relatively short shelf life.

Distribution was initially controlled to ensure freshness; but with its increasing popularity, unauthorized redistribution from market to market resulted in out-of-date product reaching consumers. After that, Kraft Foods licensed the Pop Rocks brand to Zeta Espacial S.A. who continued manufacturing the product under Kraft’s license. Eventually Zeta Espacial S.A. became the brand’s owner and sole manufacturer. Pop Rocks is distributed in the U.S. by Pop Rocks Inc. (Atlanta, Georgia) and by Zeta Espacial S.A. (Barcelona, Spain) in the rest of the world. Zeta Espacial S.A. also sells popping candy internationally under other brands including Peta Zetas, Fizz Wiz and Magic Gum.

In 2008, Dr. Marvin J. Rudolph, who led the group assigned to bring Pop Rocks out of the laboratory and into the manufacturing plant, wrote a history of Pop Rocks development. The book, titled Pop Rocks: The Inside Story of America’s Revolutionary Candy, was based on interviews with food technologists, engineers, marketing managers, and members of Billy Mitchell’s family, along with the author’s experience. In the book, Dr. Rudolph points out that the Turkish company HLEKS Popping Candy flooded the market with popping candy in the year 2000, and have since become the international market leader, with more advanced and own patents making a lot of innovative products with popping candy.

A similar product, Cosmic Candy, previously called Space Dust, was in powdered form and was also manufactured by General Foods.

In 2012, Cadbury Schweppes Pty. Ltd. (in Australia) began producing a chocolate product named “Marvellous Creations Jelly Popping Candy Beanies” which contains popping candy, jelly beans and beanies (candy covered chocolate).By 2013 Whittakers (New Zealand) had also released a local product (white chocolate with a local carbonated drink “Lemon and Paeroa’ or “L&P” for short). Prominent British chef Heston Blumenthal has also made several desserts incorporating popping candy, both for the peculiar sensory experience of the popping and for the nostalgia value of using an ingredient popular in the 1970s.

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To live in a Shire hole

Great scenes from the animated version of J.R.R. Tolkien’s “the Hobbit” as well as Peter Jacksons side by side.

Bilbo Baggins the Hobbit was just minding his own business, when his occasional visitor Gandalf the Wizard drops in one night. One by one, a whole group of dwarves drop in, and before he knows it, Bilbo has joined their quest to reclaim their kingdom, taken from them by an evil dragon named Smaug. The only problem is that Gandalf has told the dwarves that Bilbo is an expert burglar, but he isn’t.

 

The Hobbit is a 1977 animated musical television special created by Rankin/Bass, a studio known for their holiday specials, and animated by Topcraft, a precursor to Studio Ghibli, using lyrics adapted from the book. The film is an adaptation of the 1937 book of the same name by J. R. R. Tolkien and was first broadcast on NBC in the United States on Sunday, November 27, 1977.

The plot of the animated production is in most respects similar to that of the book; but certain plot points are significantly compressed or removed due to the time limitations of the format. In addition, certain scenes are obviously edited for commercial breaks. In general, alterations are confined to simple omission of detail, and the plot adheres to the written text, including lyrics adapted from the songs in the book but in much longer and greater format.

Voices

  • Orson Bean – Bilbo Baggins
  • Richard Boone – Smaug
  • Hans Conried – Thorin Oakenshield
  • John Huston – Gandalf
  • Otto Preminger – The Elvenking
  • Cyril Ritchard – Elrond
  • Theodore – Gollum
  • Paul Frees – Bombur, Troll #1
  • Jack DeLeon – Dwalin, Fíli, Kíli, Óin, Glóin, Ori, Nori, Bifur, Bofur, Troll #2
  • Don Messick – Balin, Goblin, Lord of the Eagles, Troll #3
  • John Stephenson – Dori, Bard, Great Goblin
  • Glenn Yarbrough – The Balladeer
  • Thurl Ravenscroft – Goblin (singing voice), Background voice

Background

The film was produced and directed by Arthur Rankin, Jr. and Jules Bass of Rankin/Bass Productions and was adapted for the screen by Romeo Muller, with Rankin taking on the additional duties of production designer. When interviewed for the film, Rankin declared that he would add nothing to the story that wasn’t in the original.[2] The New York Times reported that The Hobbit cost $3 million.[2]

The story’s hero, Bilbo Baggins, is voiced by Orson Bean, backed up by noted Hollywood director and actor John Huston as the voice of Gandalf. In supporting roles, the comedian and performance artist Brother Theodore was chosen for the voice of Gollum, and Thurl Ravenscroft performed the baritone singing voices of the goblins. The gravelly voice of the dragon Smaug was provided by Richard Boone, with Hans Conried as Thorin Oakensheild, rounding out the cast of primarily American voice actors.

The Hobbit was animated by Topcraft, a now-defunct Japanese animation studio whose animation team would re-form as Studio Ghibli under Hayao Miyazaki. Topcraft successfully partnered with Rankin/Bass on several other co-productions, including The Last Unicorn. According to Rankin, the visual style of the film took its basic cue from the early illustrations of Arthur Rackham.

While Topcraft produced the animation, the concept artwork was completed in the US under the direction of Arthur Rankin.[2] Principal artists included coordinating animator Toru Hara; supervising animator/character designer Tsuguyuki Kubo; character and effects animators Hidetoshi Kaneko and Kazuko Ito; and background designer Minoru Nishida. The same studio and crew members were also used for The Return of the King.

Harry N. Abrams published a large coffee-table illustrated edition of the book featuring concept art and stills.

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